. . . more to come.
Friday, February 11, 2011
Wednesday, December 22, 2010
New LAAFA Costumed Gesture Drawing Class (starting 01/29/2011)
I will be teaching for anyone outside of the studios starting in the new year, 2011. The class is the same class I teach at Disney and Dreamworks condensed into a very dense amount of knowledge for a 8 week session @ LAAFA. The class will be held on Saturday from 2:00 P.M - 5:00 P.M. . . . . (coffee provided)!
Link:
http://www.laafa.org
All my best to everyone,
MAC
Link:
http://www.laafa.org
All my best to everyone,
MAC
Wednesday, November 24, 2010
Mark McDonnell: "MAC Sketchbook Sessions" 03
Here is an all new video which is the THIRD of my How To Draw In Your Sketchbook that I'm calling the "MAC Sketchbook Sessions" for the Animation and Entertainment Industry. It's an over the shoulder view of my flipping through my third of many personal sketchbooks and giving commentary. This book's goal was the use of black and white to control values as well as the eye's interest in the contrast between the two. The pen's used were the Gelly-Roll/Pentel Stylo and a Pentel "Water Brush" for the thicker lines and darkest darks.
I hope it's enjoyable.
Best,
MAC
CTN was a SUCESS!
Just wanted to give a big thank you for those of you who came by the CTN Animation Expo and were kind enough for letting me flip through your portfolios, purchasing my book and artwork as well as stopping by and chatting with me. From Mobius to the Disney crew and on to the amazing talent that was on exhibition . . . thank you and I was so happy to be a part of Tina Price's AMAZING show.
(Pictures to come!)
And for everyone in the States, have a HAPPY THANKSGIVING with family and friends . . . and for those around the Globe, have a nice weekend.
All my best to everyone,
MAC
(Pictures to come!)
And for everyone in the States, have a HAPPY THANKSGIVING with family and friends . . . and for those around the Globe, have a nice weekend.
All my best to everyone,
MAC
Monday, November 15, 2010
CTN is ALMOST HERE!
Hey guys,
It's that time of year again and I'm happy to be a part of the 2nd CTN ANIMATION EXPO, with so much more to offer than last year . . and last year was an AMAZING event! Come on down and experience the show first hand, it's going to be a showstopper AGAIN!
All my best and I'll be at Table T-14, right by the front door!
Best,
MAC
Monday, October 25, 2010
Saturday, October 16, 2010
Quite An Honor!
I was lucky enough to open an email from the folks at Online Colleges and Universities wishing me congratulations as my blogsite and YouTube site was determined to be an essential part of our resources, and has received ourTop Learn Animation Blogs award presented by Online Colleges and Universities!
Pretty cool.
Best,
MAC
Monday, October 11, 2010
New LAAFA Classes now ONLINE & Streaming LIVE!
Hey Guys,
I was just given the okay to invite you to join in on a new interactive teaching experience for all of you that asked for it:
LAAFA has an array of Illustration and Entertainment Classes this Fall. We are thrilled with our new line-up of talented working professionals from major entertainment studios.
Entertainment and Illustration Classes
8-week classes starting from $410
Special Bonus: Enroll by October 15th and receive $50 off of a 8-week class!
• I Just wanted to let you know that a new edition has been added in a Beta Test for taking my class online for all of you that were interested in taking my class but live to far away or the large amount of folks that happily live in International Waters. This is your chance and I'm happy to invite you to take my class and interact with me on the fly in this Live Online Streaming Classroom setting with LAAFA (which is The Los Angeles Academy of Figurative Art). I will be doing many demos each session and invite you along to watch me critique and lecture during the classroom session. You will also be welcome to write in and ask questions on the fly. This is the initial test for this new classroom experience so please bear with me and the amazing folks at LAAFA so we can bring you what you have been asking for for quite some time now.
Best,
MAC
Monday, September 27, 2010
An Interesting Note -
• I got an interesting email from a very talent student of mine (from my Union class) and thought I would share:
Generally I don't put down a lot of lines not that I am against this, it's just as important if the overall statement is answered. I think through the forms but what I ALWAYS need is the life or the fluidness of the feeling of how the character is acting. The rest can be added onto or refined without the auidence really knowing there are under lines. This is especially evident when I use a pen. Just want it to appear cleaner and . . . if it's a female character, then the lines are ALWAYS kept to a minumum. I do think of shape, but more of inside out first then the shape adapts to resolve itself. The shapes can always be refined and make more designed . . . but the feeling or idea behind the action should be first and foremost.
- "Are you thinking a little more of the contours of the character while gesturing as well? I know in past figure drawing classes, you hear about capturing the gesture/attitude first and THEN build your geometric forms on top of that. But in your case, are you almost combining the two into one step? "
- YES! I'm thinking through and the draftsmanship will come out and save the drawing if need be. The drawing I did for you last time was not a great drawing but I saved it with rythem and acting in the face. The forms are 3Dimensional but the overall design reads and brings you into the face. It's a combination of rythem/gesture, design and composition! You can jump ahead but hopefully not to loose the overall feeling or flow/rythem/gesture/life-force that you're going for. I don't encourage this as it's a very easy way to get yourself in trouble. Glen Vilppu always said to me: Gesture, Construction, Anatomy then Technique. But after throwing around lines for many years they eventually work in a symbiotic way and become an amobic sense of drawing. Meaning it all happens at once when you have put in the time to honor the craft. But the end goal should always be . . . the STORY! Afterall that's really paramount and the whole reason behind why we draw and design really - it's story! Story of life, story of what's happening in the panel, story of what will happen - what was before, during this shot and most certainly after. It should have a sense of place and purpose in time knowing that when we leave this character, he/she/it will continue on and live their life and obtain their quest (however GRAND or moment to moment that might be). It has to live on. That's what being TIMELESS is all about. It's another life/world/place in time that will continue while we live ours so we may think about where their at or at what moment we want to relive in our heads before bed.
MAC
Generally I don't put down a lot of lines not that I am against this, it's just as important if the overall statement is answered. I think through the forms but what I ALWAYS need is the life or the fluidness of the feeling of how the character is acting. The rest can be added onto or refined without the auidence really knowing there are under lines. This is especially evident when I use a pen. Just want it to appear cleaner and . . . if it's a female character, then the lines are ALWAYS kept to a minumum. I do think of shape, but more of inside out first then the shape adapts to resolve itself. The shapes can always be refined and make more designed . . . but the feeling or idea behind the action should be first and foremost.
- "Are you thinking a little more of the contours of the character while gesturing as well? I know in past figure drawing classes, you hear about capturing the gesture/attitude first and THEN build your geometric forms on top of that. But in your case, are you almost combining the two into one step? "
- YES! I'm thinking through and the draftsmanship will come out and save the drawing if need be. The drawing I did for you last time was not a great drawing but I saved it with rythem and acting in the face. The forms are 3Dimensional but the overall design reads and brings you into the face. It's a combination of rythem/gesture, design and composition! You can jump ahead but hopefully not to loose the overall feeling or flow/rythem/gesture/life-force that you're going for. I don't encourage this as it's a very easy way to get yourself in trouble. Glen Vilppu always said to me: Gesture, Construction, Anatomy then Technique. But after throwing around lines for many years they eventually work in a symbiotic way and become an amobic sense of drawing. Meaning it all happens at once when you have put in the time to honor the craft. But the end goal should always be . . . the STORY! Afterall that's really paramount and the whole reason behind why we draw and design really - it's story! Story of life, story of what's happening in the panel, story of what will happen - what was before, during this shot and most certainly after. It should have a sense of place and purpose in time knowing that when we leave this character, he/she/it will continue on and live their life and obtain their quest (however GRAND or moment to moment that might be). It has to live on. That's what being TIMELESS is all about. It's another life/world/place in time that will continue while we live ours so we may think about where their at or at what moment we want to relive in our heads before bed.
MAC
Monday, September 13, 2010
Under the Influence . . .
Recently I have been asked quite a bit who some of my greatest influences are artistically. There are so many and new one's created almost daily thanks to the internet and the blogging world. But there are some staples that still mean a great deal to me for many reasons.
1. Marc Davis
2. Frank Frazetta
3. Mort Drucker
4. John Singer Sargent
5. Glen Keane
6. Hans Bacher
7. Rein Poortvliet
8. Paul Felix
9. Claire Wendling
10. Berni Wrightson
11. Brian Froud
12. François-Auguste-René Rodin
13. Jack Davis
14. John Nevarez
15. Marcelo Vignali
Tuesday, September 07, 2010
Smigly REVEALED!
My buddy and all around creative funny guy Allen Mezquida has created a new character - written, animated and composited - the one, the only . . . Smigly!
I've known about it for quite some time, but as I was reading the Daily Beast yesterday, there he was front and center . . . Smigly. In all of his glory, a modern day Charlie Brown . . . Full Frontal.
Check it out:
http://www.thedailybeast.com/blogs-and-stories/2010-09-03/youtubes-rising-cartoon-star/
"I HEART JAZZ"
"THE BIG BANK"
• To see more quality goodness, check out:
http://smigly.tv/
I've known about it for quite some time, but as I was reading the Daily Beast yesterday, there he was front and center . . . Smigly. In all of his glory, a modern day Charlie Brown . . . Full Frontal.
Check it out:
http://www.thedailybeast.com/blogs-and-stories/2010-09-03/youtubes-rising-cartoon-star/
"I HEART JAZZ"
"THE BIG BANK"
• To see more quality goodness, check out:
http://smigly.tv/
Thursday, August 19, 2010
Saturday, July 31, 2010
For Frank . . .
Frank Frazetta was, as we all know, an artist that left a great amount of impact and inspiration to many of us along our artistic way. I was lucky enough to take a look at a few originals during Comic-Con 2010 this year and was inspired and happy to pay tribute (in my own way) to someone I will always be inspired by.
Enjoy your new battles buddy . . .
Monday, July 19, 2010
Mark McDonnell's Cre8tivemarks @ COMIC-CON 2010 - Table "C-9"
Well the greatest show on Earth is about to roll into beautiful downtown San Diego. I'm lucky enough to be in my own booth this year and I'll be @ "TABLE C-9."
• I'll have new copies of my book: THE ART AND FEEL OF MAKING IT REAL based on my teachings as an instructor at Disney, Dreamworks and many of the Art Institutes around California as well as ORIGINAL ARTWORK and EXCLUSIVE LIMITED EDITION PRINTS - especially a new Comic-Con Exclusive Print "In The Beginning..."
- My book will be discounted to $40 this year so come on by and say hello and bring a book if you already have one I'd be happy to sign and personalize it with a sketch.
Best to everyone and I hope to see you in the Carnival of COMIC-CON 2010!
MAC
UPDATE:
Comic-Con 2010 was AMAZING!!! From seeing fellow artists to enjoying new friends and fans -
A BIG THANK YOU to everyone who came out and took the time to stop by . . . cheers!
• I'll have new copies of my book: THE ART AND FEEL OF MAKING IT REAL based on my teachings as an instructor at Disney, Dreamworks and many of the Art Institutes around California as well as ORIGINAL ARTWORK and EXCLUSIVE LIMITED EDITION PRINTS - especially a new Comic-Con Exclusive Print "In The Beginning..."
- My book will be discounted to $40 this year so come on by and say hello and bring a book if you already have one I'd be happy to sign and personalize it with a sketch.
Best to everyone and I hope to see you in the Carnival of COMIC-CON 2010!
MAC
UPDATE:
Comic-Con 2010 was AMAZING!!! From seeing fellow artists to enjoying new friends and fans -
A BIG THANK YOU to everyone who came out and took the time to stop by . . . cheers!
Friday, June 25, 2010
New Video: "MAC Sketchbook Sessions" - 02
Hey Guys,
I just posted an all new video which is the SECOND of my How To Draw In Your Sketchbook that I'm calling the "MAC Sketchbook Sessions" for the Animation and Entertainment Industry. It's an over the shoulder view of my flipping through my second of many personal sketchbooks and giving commentary. I hope it's enjoyable.
All my best,
MAC
I just posted an all new video which is the SECOND of my How To Draw In Your Sketchbook that I'm calling the "MAC Sketchbook Sessions" for the Animation and Entertainment Industry. It's an over the shoulder view of my flipping through my second of many personal sketchbooks and giving commentary. I hope it's enjoyable.
All my best,
MAC
Saturday, June 19, 2010
A Model Studio . . .
A shot taken after a session of instructing at Dreamworks Animation Studio with the "How To Train Your Dragon" Crew.
Wednesday, June 16, 2010
Saturday, June 12, 2010
"Chaman" - Annecy Film Festival
This is an AMAZING bumper for the Annecy Film Festival from the students at Gobelins. Chaman is directed by De Théo Boubounelle, Chloé Bury, Jean Baptiste Cumont, Claire Fauvel and Vincent Nghiem. It focuses on “a curious child who discovers the magical world behind the ritual of the shamans of his tribe.”
Beautiful.
MAC
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